#TY DOLLA IGN SIGN LANGUAGE FULL#
When Rihanna, Kanye, and Paul's "FourFiveSeconds" dropped, many were eager to see the writing credits, and as usual, they were lengthy and full of surprises. We first heard Ty Dolla $ign's voice on "Only One", with the singer contributing some heavily manipulated backing vocals to the ballad. This is exactly what happened with Ty Dolla $ign, who reported that he had worked on nine records with both Kanye West and Paul McCartney. Kanye West is known to create a very collaborative environment in the studio, to the point that if you're brought in for a session, you could end up contributing to a huge number songs - though whether they'll ever see the light of day is another question. Songwriters: Dallas Austin, Dave Longstreth, Elon Rutberg, Kanye West, Kirby Lauryen, Mike Dean, Noah Goldstein, Paul McCartney, Ty Dolla $ign It makes you think what may have happened if "Paranoid" had been shopped around. While hearing Ty's rendition would be a dream come true, putting Brown's name on it gave the song some legs that Dolla's name didn't have at the time.
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The song was originally intended as either a Ty or a Bobby Brackins song (their accounts seem to vary), with the latter also contributing to the songwriting process, but Chris scooped it up and ran with it. The way Brown rides one note with measured staccato stabs is straight out of the Dolla $ign playbook, as is "white girl with some fake titties/ I took her to the Bay with me". Penning both the first verse and hook, another look at Ty's contributions leaves us wondering how we didn't see it sooner. No stranger to writing great hooks, and getting away with some sometimes questionable views on women through his playful charisma, Dolla $ign was the only man for who could make the concept work. How was it so good? And how was its infectious catchiness able to transcend the goofy misogyny at its core? The secret ingredient turned out to be Ty Dolla $ign. The first time hearing "Loyal" was confusing. Songwriters: Bobby Brackins, Chris Brown, Dwayne Carter, Mark Kragen, Michael Ray Nguyen-Stevenson, Nicholas Balding, Tyrone Griffin He channels the G-Funk sounds his father contributed to in the 90s, and mixes them with a chunky Mustard bassline, building on the already established feel of the album so well, you probably didn't even realize they'd switched producers.Ĭhris Brown- Loyal (Feat. While much of the beatwork we've heard from Ty over the years was either proto-Mustard snap ("Toot It & Boot It") or EDM-leaning R&B ("My Cabana") - which again, he was very early on - "Really Be" proves another aspect of his versatility, providing one of the grittiest beats on the album.
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The production credits on YG's My Krazy Life are often overlooked, as DJ Mustard is generally assumed to have helmed the majority of the record, but one of the album's most effective numbers was provided by none other than Ty Dolla $ign himself.
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He plays just about every instrument (guitar, bass, drums, MPC, etc.) except brass, or as he says, anything "that has to do with lips," which is interesting considering his father's history as a trumpet player. Working with his team, D.R.U.G.S., Ty did most of the production on his early releases, as well as records from Chris Brown, Iggy Azalea, Pink Drugz, and more (You may also know the work of fellow co-founder DJ Dahi). If you're a newer Ty fan, you may know him primarily as a vocalist, but he's just as accomplished as an instrumentalist as he is a singer.